Misrepresentations of Female Scientists in Movies Influence Gender
Disparities
Related to Women Involved in Science
Walking into a science fiction theater, one rarely sees a
female scientist as a main character. Some of the few women researchers in film
include the supermodel shaped Dr. Charlotte “Charlie” Blackwood (played by
Kelly McGillis) who catches the eye of Maverick in “Top Gun” and frumpy Dr.
Pamela Isley (through Uma Thurman’s acting) who others think is crazy in
“Batman and Robin.” Movies often
misrepresent female scientists to the public in stereotypes ranging from drab
and solitary to sexy and manipulative. These distorted film images differ from
the attributes of real women who perform scientific investigations and often contribute
to social consequences, such as girls who tend to be uninterested in pursuing
science careers and difficulties faced by women scientists trying to advance
their positions. Understanding the false stereotypes of fictional, on-screen
female scientists and changing them into realistic images of women researchers
in biology, chemistry, and physics, could help create opportunities for women
involved in scientific investigations and prevent the continuation of gender
inequities in science.
The media depictions of women
scientists impact public perceptions towards science and female researchers
(Steinke et al. 4). Visual messages are the major source of information about
science for the general population (Steinke et al. 4). Movies are especially
important in spreading concepts related to science since they are more likely
to contain characters with science careers than other public tools like books,
television, and magazines (Steinke 30). Also, popular culture images involving
science have a crucial influence during adolescence, and provide young people
with information about gender roles, interactions between individuals of the
opposite sex, and jobs in scientific research (Steinke 28). During this teenage
time of development when media is important in shaping attitudes, many girls
start to become disinterested in science (Steinke 29). Misinformation about
women of science is often displayed and influences opinions about women in
fields related to biology, chemistry, and physics.
Many films with scientific themes lack women researchers.
According to sociologist Eva Flicker, 82% of scientists portrayed in the media
are men (308). The unequal depiction of females in science prevents young girls
from becoming interested in science (Kitzinger et al. 15). Similarly, women in
science often view illustrations of women scientists as limited to certain
fields, such as medicine and forensics (Kitzinger et al. 15). The deficiency of
women scientists in movies may have an effect on the opinions of children. A
study found that when young kids were asked to draw a scientist, none of the
boys and only about half of the girls used a picture of a woman (Frayling,
219). From a young age, children are taught to mistakenly think that jobs in
science are designated and appropriate only for men. There is a need to
increase the visibility of women scientists, from a variety of disciplines
ranging from ecology to astronomy, in movies to promote this area of study to
young women.
When women scientists are shown in a few movies, they are
often misrepresented or placed into stereotypical roles. In films, a woman researcher
is often depicted as a lonely workaholic who spends all of her time on her experiments
(Flicker 311). She is often viewed as unable to socially interact with others
and unemotional (Kitzinger et al. 17). However, the woman can become more
feminine and compatible throughout a movie with the help of a love affair or
experimentation, while simultaneously losing her professional proficiency
(Flicker 311). This image of a woman scientist who transitions into a pretty
love-interest is seen in “Spellbound” with Ingrid Bergman as Dr. Constance
Peterson who originally does not reciprocate a kiss but describes it as
interesting behavior (Flicker 311). In
“Love Potion No. 9,” Sandra Bullock plays Dr. Diane Farrow, a nerdy and homely
biochemist who becomes glamorous after drinking a potion in her laboratory
(Flicker 311; Steinke 40). This characterization of female scientists makes
people think that scientific knowledge and feminine traits are mutually
exclusive (Flicker 311). The image reinforces discriminatory opinions that
women should care more about their appearance and intimate relationships than
studying science to pursue a research career.
Female scientists in films can also be drab and manly
(Kitzinger et al. 17). Many women scientists in films are given masculine
attributes, including rough voices, male attire, and unhealthy habits (Flicker
311). In the movie “Andromeda Strain,” the character of Dr. Ruth Leavitt
(displayed through the acting of Kate Reid) exhibited male traits through raspy
speech, chain smoking, a domineering attitude, and a short haircut that could
be seen on men (Flicker 311). Similarly, Dr. Diana Reddin (played by Emma
Thompson) in “Junior” wears de-feminizing clothes like ugly brown sweaters,
plain gray pants, and a long lab coat, making her appear mannish (Steinke 40).
Making women scientists in films seem more masculine reinforces the perception
of nature as feminine and science as a masculine tool to control the natural
world (Jackson 50). Additionally, the characteristically male depictions
influence how women scientists manage their appearance. Many female scientific
researchers think that if they dress with femininity, then their colleagues
will not take them seriously as credible scientists (Kitzinger et al. 17). Viewing
female scientists as unusual nerds with masculine characteristics may also
cause young girls to purposefully avoid a science career track (Long et al.
359). Forcing women scientists in movies to be masculine contributes to the
biased view that science is more suitable for the minds of men.
Yet, women researchers are often portrayed as very young and
not old enough to have the correct academic qualifications for their jobs in
movies (Frayling 222). These female scientists tend to be illustrated as
extremely beautiful and super sexy (Kitzinger et al. 18). They often wear tight
outfits that show-off their physique, like the genetics researcher Susan Storm
(a.k.a. Jessica Alba) in “The Fantastic Four” who wears a body-hugging suit
that emphasizes her curvaceous regions. The nuclear physicist Dr. Christmas
Jones (portrayed by Denise Richards) in “The World is Not Enough” dresses in a
midriff bearing tank-top and hot-pants to disarm nuclear weapons (“Christmas
Jones”). Depicting women scientists as very attractive places attention more on
their looks than on their knowledge, making it seem like women scientists are less
proficient compared to men. Similarly, in “Contact,” Jodie Foster as Dr. Ellie
Arroway uses her feminine charm to get things she wants instead of persuading
others with scientific data from her work (Kitzinger et al. 18). Forcing female
scientist characters to be glamorous makes these scientific investigators attention-grabbing
tools for male target audiences of science-fiction and adventure films rather
than role models for women interested in science.
Evil women scientists who use sexuality to manipulate others
and are willing to perform corrupt procedures are typically seen by movie audiences
(Flicker 313). An example is Dr. Susan Harris (displayed by Anitra Ford) in
“Invasion of the Bee Girls,” a beautiful female entomologist who creates an
army of attractive women to seduce and kill men (“Invasion of the Bee Girls”).
Similarly, Dr. Susan McCallister (as shown by Saffron Burrows) in “Deep Blue
Sea” steps over ethical lines and genetically modifies sharks to study
Alzheimer’s disease (“Deep Blue Sea”; Frayling 223). These images of immoral women
researchers contribute to negative opinions about science, and make it seem
like women in the life and physical sciences are willing to break codes of
principle in pursuit of their work.
Also, women scientists in films are usually relegated to
supportive roles, such as the girlfriend to the main character (Kitzinger et
al. 19). Dr. Ellie Sattler (acted by Laura Dern) in “Jurassic Park” aids Dr.
Alan Grant in studying dinosaurs, and Betty Ross (played by Jennifer Connelly),
assists Bruce Banner with physics experiments in the “Hulk.” Both characters
are well-known images of female scientists as helpers. Gender inequalities are
often represented in movies by placing men in charge of female researchers
(Kitzinger et al. 19). Continuing to place female scientists in the role of
assistants in films promotes a social belief that male scientists are superior
to women in science careers.
The distorted portrayals of women scientists impact the
perception of young girls about female researchers and policies related to
female scientific investigators. Many young women are discouraged from getting
involved in science due to misrepresentations of women scientists in film
(Kitzinger et al. 9). Statistics show that young women are less likely to
choose to study science in high school and college compared to young men, even
if they think they can succeed in scientific investigations (Kitzinger et al.
1; Buck, Leslie-Pelecky, and Kirby 1). This is caused by negative stereotypes
of women scientists due to false portrayals of women researchers in films (Buck,
Leslie-Pelecky, and Kirby 1). Middle-school aged girls who viewed themselves as
feminine were observed to think of scientific endeavors as a male profession for
nerdy, middle-aged men with white lab
coats, glasses, and beards (Steinke 36; Buck, Leslie-Pelecky, and Kirby 1).
Perceptions about women in science from films makes girls think of science as a
subject that they do not need to focus on in their academics (Steinke 36).
Most school age kids think a scientist is a middle-aged man
with a white lab coat, glasses, and a beard who spends all of his time in a
laboratory (Buck, Leslie-Pelecky, and Kirby 2). This image of individuals in
science is very pervasive. It caused young kids in a study about science
education to believe that women scientists visiting their classroom were
teachers even though they described their careers in science research (Buck,
Leslie-Pelecky, and Kirby 7). Typecasts of female scientists in movies prevent
young girls from becoming interested in studying chemicals, biological
mechanisms, and electrical circuits.
Correspondingly, women who major in a science often do not
pursue careers in this field, which is shown by the low proportion of women in jobs
related to science disciplines compared to the percentage of females in the
U.S. population (Kitzinger et al. 1; Steinke et al. 3). Women make up 19.4% of
workers in the science industry and comprise only 10% of academic professional
positions in the sciences (Steinke 29; Flicker 308). The women who are involved
in the science sector have a lower probability of getting promotions for senior
positions and there is currently a gender hierarchy in academia (Kitzinger et
al. 1; Flicker 308). For example, less than 6% of senior science faculty
members in Higher Education institutions of Europe are women and only 23% of
full professors of science in the U.S. are female (Kitzinger et al. 1; Flicker
308). Furthermore, women science faculty members have less influence than their
male associates, have fewer opportunities for leadership roles in their
departments, and advance at a slower rate (Cortina, Malley, and Stewart 47).
Even when women reach higher ranks in science careers, they often do not have a
greater sense of job satisfaction due to bad experiences related to gender
discrimination (Cortina, Malley, and Stewart 55). Women in science face
difficulties in achieving high status roles and equal opportunities for
leadership, which correlates to media images that uphold the perspective of
male scientists’ superiority over women laboratory investigators.
The negative depictions of women scientists in films promote
gender stereotypes that belittle the intelligence of women, portray females as
unqualified for scientific research, attract attention to struggles involved in
balancing a professional and a personal life, and depict women as distractions
to male collaborators (Long et al. 359). It also endorses a message that was expressed
by Larry Summers, the President of Harvard, that women biologically have less
aptitude than males in science (Cortina, Malley, and Stewart 55). Changes need
to be made in the presentation of women researchers in movies to alter negative
public opinions about women scientists and help put an end to gender disparities
in areas of biology, chemistry, and physics.
Screenplay writers, movie directors, and motion picture
producers should work to improve the illustrations of female scientists in
films. Current women scientists want female scientific investigators in movies
to appear as “ordinary people,” clever, and talented; they want women
researchers to be seen as more than just a pretty face on camera (Kitzinger et
al. 19). Female scientists would like to see a variety of diverse
representations of women scientists with different ethnicities, interests
within science, strengths, careers, and families to signify multiple women
researchers in the field (Kitzinger et al. 32). Many women investigators in
science think that films should indicate that women can have a personal life
and family, as well as perform science experiments for a living (Kitzinger et
al. 34). Displaying women scientists working in teams and cooperating with
others would allow young girls to learn that science is social (Kitzinger et
al. 34). It would also help upper level administrators understand that women
are integral members of scientific research groups (Kitzinger et al. 34). Changing
the way women involved in science are shown in movies could alter the opinions
of the general public about female scientists. This would likely lead to less
gender discrimination in science through a higher number of young girls
becoming interested in studying organic compounds, animal anatomy, and special
relativity, as well as equal
opportunities for women researchers to advance to high levels in their
careers.
Works Cited
Buck,
Gayle A., Diandra Leslie-Pelecky, and Susan K. Kirby. “Bringing Female
Scientists into
the Elementary Classroom:
Confronting the Strength of Elementary Students’
Stereotypical Images of Scientists.”
Journal of Elementary Science Education. 14.2
(2002): 1-9. 5 April 2011. <
http://digitalcommons.unl.edu/teachlearnfacpub/15/>
“Christmas
Jones.” Wikipedia. 2 March 2011. Wikimedia Foundation, Inc. 5 April
2011.
<http://en.wikipedia.org/wiki/Christmas_Jones>
Cortina,
Lilia M., Janet Malley, and Abigail J. Stewart. “The Climate for Women in
Academic
Science: the Good, the Bad, and the
Changeable.” Psychology of Women Quarterly. 30
(2006): 47-58. 5 April 2011. <http://www.dtm.ciw.edu/WomenBBR/WBBR-Settles.pdf>
“Deep Blue Sea.” Wikipedia. 1 April
2011. Wikimedia Foundation, Inc. 4 April 2011.
<
http://en.wikipedia.org/wiki/Deep_Blue_Sea>
Flicker,
Eva. “Between Between Brains and Breasts-Women Scientists in Fiction Film:
On
The Marginalization and Sexualization of Scientific
Competence.” Public Understanding of Science 12 (2003): 307-318. 3 Mar.
2011
< http://pus.sagepub.com/content/12/3/307.full.pdf+html>.
Frayling,
Christopher. Mad, Bad, and Dangerous?: The Scientist and the Cinema.
London:
Reaktion Books, 2005. 4 Apr. 2011.
<http://books.google.com/books>. Path: Mad, Bad and Dangerous? The
Scientist and the Cinema.
“Invasion
of the Bee Girls.” Wikipedia. 3 November 2010. Wikimedia Foundation,
Inc. 4 Apr.
2011. <
http://en.wikipedia.org/wiki/Invasion_of_the_Bee_Girls>
Jackson,
J. Kasi. “Gender, Mad Scientists, and Nanotechnology.” Spontaneous
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(2008): 45-55. 5 April 2011. <http://spontaneousgenerations.library.utoronto.ca/index.php/SpontaneousGenerations/article/viewFile/3516/1907>
Kitzinger,
Jenny, Joan Haran, Mwenya Chimba, and Tammy Boyce. “Role Models in the
Media: An Exploration of Views and Experiences of Women in
Science, Engineering, and Technology.” Cardiff School of Journalism, Media,
and Cultural Studies (2008). 3 Mar. 2011
<http://www.cardiff.ac.uk/jomec/resources/Kitzinger_Report_1.pdf >.
Long, Marilee, Jocelyn
Steinke, Brooks Applegate, Maria Knight Lapinski, Marne J. Johnson,
and Sayani Ghosh. “Portrayals of Male and Female
Scientists in Television Programs
Popular Among Middle School-Age Children.” Science
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April 2011 <http://scx.sagepub.com/content/32/3/356.full.pdf>
Steinke, Jocelyn.
“Cultural Representations of Gender and Science: Portrayals of Female
Scientists
and Engineers in Popular Films.” Science Communication 27.1 (2005). 4 Apr.
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Long, Marne J. Johnson, and Sayani Ghosh. Gender Stereotypes of
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I agree with you on how often looks are portrayed as the most important feature when women are portrayed as scientists. However, I disagree with you in the case of Dr. Ellie Arroway. Ellie was inspired to pursue science after the loss of her dad, perhaps as a search to give meaning to the concept of life after death (and transformed to life beyond Earth). Ellie exemplifies a few of the many hardships women face in science (women of color have their own hardships as well). Ellie was data driven, inspiring and relentless. A recurring theme I see in the movie is that Ellie had to face misogyny, embodied perfectly by the interactions with the opportunistic-knows-how-to-play-politics-better-than-science Dr. David Drumlin. I don’t believe at any point Ellie used her “looks” to convince others; she was rather awkward at times (remember when she needed a dress for the party in DC?) and like any other women she had a love interest (Palmer Joss). But I don’t think the movie (or the book) centered on those things, but rather an example on how scientific pursuits (in the form of Ellie) are achieved in a reality where human beliefs, values, experiences and desires drive acceptance of truth.
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